![]() On the other hand, I can’t see how Freeze would work on such Group and FX Tracks, since there isn’t any content to render, they only contain automation data. Simply route the Group or FX to an empty Audio Track, create a Part with Alt+Click and adjust it so it fits your desired rendering range, enable Monitor on the track and use Render in Place on the Part.įor easier use, this process can eventually be automated with the help of macros and PLE. Well, working around this is actually very simple. ![]() So the real question is how to do that indirectly ? But since Group and FX tracks can’t have Events/Parts on them, you cannot use Render in Place directly. In Cubase, Render in Place only works on actual Audio Events and MIDI Parts. It’s totally possible to render groups and FX. I’d like to submit that a similar kind of logic for the Freeze function would be very helpful, like the way Freeze is done in Pro Tools. ![]() So not only is the freeze function tedious (click a track, wait, click a track, wait, click a track, wait, etc…), but it is incapable of addressing the majority of my DSP usage.Ĭubase is already smart enough to know that when I solo a group channel, it should solo all the tracks feeding it and all the FX channels being fed by it. In a normal mix session where I’ve got 50 audio tracks, I’ve probably got 50-70 group and FX channels up those channels have about 80% of the plugins I use. I’m shocked that, for a function that’s been around in Cubase for such a long time, that the ability to freeze does not exist on Group and FX tracks. So far there is very little that I prefer doing in PT over Cubase, but the way that Pro Tools does the Freeze and Commit functions is vastly superior because I can do those functions across multiple channels (even Aux tracks) with a simple right click. I recently crossgraded from Pro Tools (2018) and I’m loving the flexibility, customization, and workflow enhancements.
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